I wove the sparrow's breast up to the opening where the legs are inserted, weaving from the outside edge to the centre line. This wool is very springy and tends to spread out. So before I wove from the other side to close the gap I temporarily whip stitched the woven edge with a contrasting thread to hold it in place. This gave me a firm border to weave up to.
I inserted the finished legs into the pocket and wove between them.
I chose a suitable piece of driftwood for the base and drilled two small holes straight down to hold the leg wires. All that was needed was to adjust the toes a little bit to look natural.
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Monday, 14 December 2015
Saturday, 21 November 2015
More weaving and a jig for sparrow legs
The whole weaving form showing the tail section and green holding stitches still in place |
The tail section of the weaving form is temporary and has the warp attached by holding stitches on the underside. There is a row of holding stitches along each side of the body that keep the warp threads in position on the curved surface.
I finished weaving the tail and removed the holding stitches and snipped off that part of the weaving form. Next I will insert the ends of the tail wire into the pocket along the back of the bird and attache the wire to the edge of the woven tail with more wool of the same colour. Once I had woven down the sides as far as the green stitches I was able to remove these stitches. The new woven fabric is now holding the warp threads in the correct position.
Meanwhile I have been making sparrows' legs with my new jig. I wrap the leg wires onto the jig, position extra lengths of wire for toes, hold them with temporary clips so that I can wrap the permanent wire around the ankles. Once the legs are off the jig, I bend the four toes outward. Thin strips of white florists' tape hold the toes in position and build up the thickened knobbly shapes of the toes and legs. I bend the claws down and clip them to the right length and finally paint the legs with acrylic paint. The wire extending downwards from the bottom of the feet will be what holds the bird onto its wooden perch. The triangle of wire at the top of the legs will be inserted into the specially made pocket on the underside of the bird and be held in place by the weaving.Saturday, 7 November 2015
Warping and beginning to weave the sparrow
After the whole form has been assembled, I begin to add the warp threads. On the head I stitch the warp threads into the buttonhole stitches around the eyes and beak.
Once the warp is all in place, I begin to weave at the top of the head, stitching the wool into the stitches around the eyes and beak.
I use the coloured markings as a guide for the placing the coloured wool as I work along the back and wings.
I use the coloured markings as a guide for the placing the coloured wool as I work along the back and wings.
Tuesday, 22 September 2015
Four sparrows later ...
Sparrow number four completed |
The pieces of sparrow number five ready to assemble |
I realized two basic principles for building the weaving form. One, put the seams in places away from the most detailed parts. Two, work on as much of the detail as possible while the pieces are still flat. The form is made of four pieces of heavy interfacing. Two of these form the head. Another folds around to form the back, tail and sides and the last is the under side of the bird. Once the pieces are all marked and cut out, I start by adding the details to the pieces: beak covering, eye stitches and beads, holding stitches for the warp, darts, and pockets for the legs and tail wires.
Sparrow number five taking shape |
This is as far as I have got on sparrow number five. As soon as it is completely assembled, I can string the warp threads and then begin weaving.
Wednesday, 29 April 2015
Sparrow finished
To stiffen the tail I made a loop of wire the same shape as the perimeter of the tail feathers. I laid it on the underside of the tail and anchored the ends on the last few stitches of the plastic "spine" inside the back. I attached the wire by completely covering it with whip stitches using the light coloured wool.
For the beak I made a little cardboard cone covered with a few layers of gummed brown paper tape. I streaked it lightly with coloured pencil and coated it with a few coats of white glue (pva) for strength and sheen. I poked three holes with a sharp needle (one on either side and one center bottom) and used wool to stitched it to the inside of the sparrow's mouth opening.
The final assembly (stuffing, attaching the wire legs and stitching up) went quickly and I forgot to take step-by-step photos until the sparrow was done and perching on the edge of my work basket. Now my mind is racing trying to come up with ways to make the beak, eyes and legs more convincing and integral, and ways to avoid more of the seams by weaving in the round.
For the beak I made a little cardboard cone covered with a few layers of gummed brown paper tape. I streaked it lightly with coloured pencil and coated it with a few coats of white glue (pva) for strength and sheen. I poked three holes with a sharp needle (one on either side and one center bottom) and used wool to stitched it to the inside of the sparrow's mouth opening.
The final assembly (stuffing, attaching the wire legs and stitching up) went quickly and I forgot to take step-by-step photos until the sparrow was done and perching on the edge of my work basket. Now my mind is racing trying to come up with ways to make the beak, eyes and legs more convincing and integral, and ways to avoid more of the seams by weaving in the round.
Friday, 24 April 2015
Sparrow weaving off the loom
To finish the lower edges of the wings I did a row of soumack stitch. Then I wove the tail and finally the plain light colour. I reinforced the edges with a soumack stitch over the last strand of weft. With contrasting thread I carefully marked some strategic matching points on the edges of the two pieces.
Then I turned the weaving over and clipped the holding threads.
I gently released the weaving from the backing and pulled the ends to the inside. I am really pleased with the shaping of the top of the head: smooth and round with no seam. I stitched the black beads firmly against the inside of the eye holes which makes the bird start to come alive.
I joined the short neck seam using the weft thread with stitches that blend into the weaving. The next stage will be adding stiffening wire to the tail and applying the paper beak. These will both take a little bit of figuring out.
Then I turned the weaving over and clipped the holding threads.
I gently released the weaving from the backing and pulled the ends to the inside. I am really pleased with the shaping of the top of the head: smooth and round with no seam. I stitched the black beads firmly against the inside of the eye holes which makes the bird start to come alive.
I joined the short neck seam using the weft thread with stitches that blend into the weaving. The next stage will be adding stiffening wire to the tail and applying the paper beak. These will both take a little bit of figuring out.
Tuesday, 14 April 2015
Weaving the sparrow's head and wings
sparrow's eye |
When the head was done I started at the spine and worked outward building up the wing markings.
Saturday, 4 April 2015
Evolving pattern
pattern version 3 not the right shape |
toile from version 6 |
pattern version 7 ready to add weaving marks |
Monday, 16 March 2015
Tapestry Sparrow
I've been listening to this theme song these days: His Eye is on the Sparrow. My plan is to make another tapestry bird, this time a female house sparrow. I've spun the colours I need: the two colours from my ryeland jacket, plus some dark brown ryeland wool donated by a friend for this project and a bit of yellowish white from my stash for a patch by the eye.
My starting point was the robin pattern but there are lots of shape differences that I'm incorporating: longer neck, shorter wings, thicker beak, different head shape. The pattern is evolving gradually. I'm going to try to apply the wires to the tail after weaving. I think I've found a good way to render the beak and leg colour with brown water tape.
Before I can begin to weave I still need to do some detailed sketches to observe the placement and shapes of the markings.
My starting point was the robin pattern but there are lots of shape differences that I'm incorporating: longer neck, shorter wings, thicker beak, different head shape. The pattern is evolving gradually. I'm going to try to apply the wires to the tail after weaving. I think I've found a good way to render the beak and leg colour with brown water tape.
Before I can begin to weave I still need to do some detailed sketches to observe the placement and shapes of the markings.
Sunday, 11 January 2015
Tapestry robin - new and improved
I needed to blend and spin a little bit more of the orange yarn from the dyed combed tops (Shown here with the other colours: white shropshire, and brown and tawny-grey ryeland).
I learned a lot from the first robin and used the same pattern to re-create it. The improvements I included were a better formed eye opening, tiny shaping changes, and simplified edges.
Finished weaving.
I clipped the holding threads to remove it from the backing.
I sewed the dark beads tightly against the inside of the eye openings and darned in any threads on the outside. I fastened a bit of heavy interfacing against the ends of the wire supports to keep them from poking through the weaving. It was then ready to assemble.
I fastened in the paper beak and wire legs, stitched up the seams and mounted it.
Friday, 2 January 2015
3D tapestry bird part 2
Weaving using my hand spun yarn was fun. I'm still refining the length of legs, size of wire feet and perching position. I have a long list of improvements I would incorporate in the next one.